TLR 099: chuck johnson — crows in the basilica LP + download
LP released may 14, 2013 in a limited edition of 768 copies. $18.00.
available as a digital download or for streaming from bandcamp.
"at first glance, the titles on chuck johnson’s crows in the basilica suggest an artist both aware of and in touch with his surroundings. there are mountains, creeks, sand; towns, streets, basilica; crows, geese. skim johnson’s liner notes and this sense of outward attention expands. songs are based on raga improvisations and chinese melodies, the piedmont blues of carolina pioneer elizabeth cotten and the mountain guitar of appalachian legend roscoe holcomb.
but despite how conscious johnson is of what’s going on outside – both outside his window and outside our borders – his journey on crows in the basilica is as much internal as external. johnson’s references to the elements around him and the art that inspires him are launching points toward the wider realms of nature and music, but they also propel him inward, toward introspection and self-reflection. in fact, for much of these eight masterful tunes, inside and outside are mirror images, each influencing and guiding the other in a recursive loop of creativity.
which is to say that crows in the basilica makes you hear, see, think and feel. while 'ransom street blues,' a tune johnson wrote 15 years ago, conjures images of whistling blades and blowing branches, it also inspires melancholy optimism, the feeling that everything will be all right even when it’s not. the looping line of 'albion source' recreates rolling scenery viewed from a train window, but it also mimics memory’s endless mental filmstrip. and though it’s easy to imagine attending a hushed, wordless sastern ceremony during 'wild geese descend on level sand' (played on a 12-string in the spacious mills college concert hall,) it’s just as easy to get involuntary shivers from johnson’s precise, ringing notes.
johnson’s unity of thought and feeling crests during the album’s apex, 'on a slow passing in ghost town.' opening with an instantly classic melody, it spends a serene, thoughtful eight minutes evoking every idea and emotion you can imagine, and a few you can’t. here johnson’s already-formidable patience approaches the super-human; even when the tune starts to roll and rush, he’s so in control of every nuance that i was convinced i’d heard the song before, so timeless and utterly natural is its path. i can see the ghost town passing; i can hear its rustle and smell its fog. but i can also feel it bending my bones and shifting my pulse. that’s the peculiar power of crows in the basilica: whether its effects are physical or emotional is impossible to figure, and unnecessary too.”
--marc masters, february 2013--
being from north carolina, we at three lobed have long known of chuck johnson. whether it was watching him lead a twelve piece guitar ensemble through one of his compositions at the old transmissions festival, rock in spatula or shark quest, or provide otherworldly transportation in the acoustic trio idyll swords, his skill and way with musical phrasing led us to have him be one of the first folks we ever worked with (2002’s idyll swords contribution to the purposeful availment series). it has been with great interest that we have observed his dedicated focus on the acoustic guitar over the past several years. chuck’s compositional voice and performance style represent those of a mature player, with a focus on what music should do for the listener rather than showing off what he can do as a player. his 2011 album a struggle, not a thought (strange attractors audio house) was one of our favorites from that year. the deeper we went with that album, the more we knew we wanted to be part of his ride. we could not be more thrilled to help bring you crows in the basilica.
crows in the basilica is from an edition of 768 hand-numbered copies and is pressed on 140 gram dutch vinyl by record industry. the album is housed within a handsome multi-color silkscreened jacket bearing new artwork from michael elrod (based on a photograph by chuck johnson) and includes johnson’s informative liner notes. the album is accompanied by a download coupon for DRM-free digital files of the downloader's choice. crows in the basilica was recorded both with phil manley at san francisco’s studio sq (six of the tracks) and within mills college’s littlefield concert hall (two of the tracks) and subsequently mastered by patrick klem. pre-orders will ship in advance of the album's may 14 street date.
order just the crows
in the basilica LP
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you are new to chuck's work
and would like to add a copy of
his his 2011 solo guitar album, a
struggle, not a thought,
as released by the strange attractors audio house we have set up a
package deal for you. here's a great chance to bundle a copy of it
along with crows in the
curious prior to pulling the trigger? well here
you can stream the entirety of
the prior LP if you would like
to investigate first.
if you would like to bundle a copy of a
struggle, not a
thought along with the new crows
in the basilica,
we are happy to help out! if you order
this combo both LPs will ship simultaneously. to order the chuck
johnson combo, toggle to your preferred shipping location:
you are a fan of solo guitar work and would like to combine this
LP with some or all of jack rose's the
black dirt sessions,
steve gunn's boerum
and danny paul grody's between
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